Around the start of Occupy Wall Street, an international DJ called Samim tweeted “Did you know that the richest 1% of DJ´s control over 80% of the industry´s wealth and over 70% the media coverage?#occupyDJs”. Perhaps it was meant as an off-hand joke, but the fact that the DJ industry is an unbalanced place in terms of representation is clearly a reality. Nothing materialized this notion more than DJ Mag’s annua Top 100 DJs list, which read like a Forbes’ top 100, but for wealthiest DJs. Many people noticed the racial, gender, and wealth imbalances of the list, which in today’s music world almost seems preposterous (or maybe not.) Also, considering that House and Techno music’s roots are in the Black and/or Gay communities of the Rust Belt urban centers in the American Midwest, it becomes a curious example of cultural appropriation.